Eleanor Rushing knows Maxim Walters loves her. At the crowded city council meeting, he chooses to sit beside her; from his pulpit, he preaches only to her, a vision in white sitting in the first pew. Soon, he invites her along on a business trip to Nashville, where they make love all night long.

But Maxim sees things a little differently. The distinguished and very married preacher denies his love for Eleanor, but she understands his reluctance to walk away from the plain wife and the narrow path of virtue he chose long ago. Refusing to be refused, Eleanor showers Maxim with gifts and volunteers at the church simply to be near him.

Though she appears to be undaunted, Eleanor is, in fact, deeply troubled. Sparing no detail, she recounts the tragedy that left her mute for four years, and the abuse she has suffered at the hands of her friends and family. Though these memoirs are often at odds with those of others around her, the now-loquacious Eleanor charms us completely until we can't help but become her willing and faithful supporters. In this narrative tour-de-force-- at once hilarious and deeply moving--Friedmann gives a memorable look at the willfulness of obsessive love, the caustic mix of money and leisure, and the power of memory to damage the soul.

Eleanor Rushing is a first-person narrative tour-de-force. While Eleanor is blessed with acute powers of observation and the ability to remember everything, her recollections and impressions are nevertheless often at odds with those of the people around her. As her "relationship" with a local married Methodist minister spins out of control, the loquacious and endearing Eleanor manages to charm us completely. Even as we begin to realize that surviving a childhood marred by tragedy has exacted a terrible toll, we can't help being her willing and faithful admirers.