Cantos charting the liberal Death of God turn mercurial, melancholic, and euphoric, across 30 years from 1994 to 2024. Mythopoetic figures rise from incoherent rubble, and art, faith, and paranoia unite in comedic rebellion against contemporary culture. With history as its protagonist, Atrocities prays for a twenty-first century artistic consciousness and a new metaphysical reality without defeatism.
