'McBride is on blistering form.' Sinéad Gleeson
At the mid-point of her life a woman enters an Avignon hotel room. She's been here once before - but while the room hasn't changed, she is a different person now.
Forever caught between check-in and check-out, she will go on to occupy other hotel rooms, from Prague to Oslo, Auckland to Austin, each as anonymous as the last, but bound by rules of her choosing. There, amid the detritus of her travels, the matchbooks, cigarettes, keys and room-service wine, she will negotiate with memory, with the men she sometimes meets, and with what it might mean to return home.
'Nothing else feels so fresh, so radically new. Strange Hotel challenges and expands my sense of what art can do.' Garth Greenwell
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A nameless woman enters a non-descript hotel room she's been in once before, many years ago. Though the room hasn't changed, she has, as have the dimensions of her life. As she goes on to occupy a series of hotel rooms around the world -- each of which reflects back some aspect of herself we begin to piece together the details of what transpires in these rooms, the rules of engagements she's put in place for herself and the men she sometimes meets, and the outlines of the absence she is trying to forget. Gradually, we come to understand what it is the narrator seeks to contain within the anonymous rooms she is drawn to, and how she might become free.
Told in a mesmerising voice that will beguile readers with its fierceness, vulnerability, honesty, and black humour, Eimear McBride's Strange Hotel immerses us in the currents of attraction, love, and grief. It is an immensely moving and ultimately revelatory exploration of one woman's attempts to negotiate her own memories and impulses, and what it might mean to return home.
