This volume examines Mary Poppins as a 1960s film reflecting and invested in its radically changing times, a largely but not unmitigatedly antiestablishment musical resonant with conditions and issues powerfully affecting baby boomers.
Leslie H. Abramson is a Visiting Scholar at the American Bar Foundation. Abramson, a film scholar, is the author of Hitchcock and the Anxiety of Authorship as well as book chapters and journal essays on cinema in the 1960s, law and film, and Hitchcock. She holds a Ph.D. from the University of Chicago, Illinois.
