This collection analyses the audio-visual representations of several heightened events in Mexican history.

'Legacies of the Past offers a timely examination of the ways memory and trauma dominate Mexican visual and screen cultures. Bringing together essays on filmmakers, photographers, cartoonists, multi-media artists and student protestors, Haddu and Thornton make a remarkable contribution to understandings of representations of traumatic moments (1968, 1994 2006 and 2012) in Mexico's past.' Dolores Tierney, Senior Lecturer, University of Sussex (author of New Transnationalisms in Contemporary Latin American Cinemas) Riven with unresolved traumas and appropriated by successive governments, the past haunts spaces in Mexican film and visual culture. These events, without consensus or a singular/unifying narrative, act like spectres haunting the present. To comprehend how they manifest, Legacies of the Past considers how filmmakers and visual artists have found ways of understanding these haunted spaces. With case studies of films like El atentado (2010), Flor en Otomí (2012) and the photography of Dulce Pinzón, this collection analyses the audio-visual representations of several heightened events in Mexican history. The contributors' explorations, imaginings and counter-imaginings bring the past to the foreground, creating new narratives and proposing new histories in order to show the significance of storytelling and narrative for a shared understanding of ourselves. Miriam Haddu is Senior Lecturer in the School of Humanities, Royal Holloway, University of London. Niamh Thornton is Reader in Latin American Studies at the University of Liverpool. Cover image: (c) Francisco Mata Rosas + Instagram: @fcomata Cover design: [EUP logo] edinburghuniversitypress.com ISBN Barcode