From the acclaimed author of Blue, a beautifully illustrated history of yellow from antiquity to the present

In this richly illustrated book, Michel Pastoureau-a renowned authority on the history of color and the author of celebrated volumes on blue, black, green, and red-now traces the visual, social, and cultural history of yellow. Focusing on European societies, with comparisons from East Asia, India, Africa, and South America, Yellow tells the intriguing story of the color's evolving place in art, religion, fashion, literature, and science.

In Europe today, yellow is a discreet color, little present in everyday life and rarely carrying great symbolism. This has not always been the case. In antiquity, yellow was almost sacred, a symbol of light, warmth, and prosperity. It became highly ambivalent in medieval Europe: greenish yellow came to signify demonic sulfur and bile, the color of forgers, lawless knights, Judas, and Lucifer-while warm yellow recalled honey and gold, serving as a sign of pleasure and abundance. In Asia, yellow has generally had a positive meaning. In ancient China, yellow clothing was reserved for the emperor, while in India the color is associated with happiness. Above all, yellow is the color of Buddhism, whose temple doors are marked with it.

Throughout, Pastoureau illuminates the history of yellow with a wealth of captivating images. With its striking design and compelling text, Yellow is a feast for the eye and mind.

In this richly illustrated book, Michel Pastoureau--a renowned authority on the history of color and the author of celebrated volumes on blue, black, green, and red--now traces the visual, social, and cultural history of yellow. Focusing on European societies, with comparisons from East Asia, India, Africa, and South America, Yellow tells the intriguing story of the color's evolving place in art, religion, fashion, literature, and science. In Europe today, yellow is a discreet color, little present in everyday life and rarely carrying great symbolism. This has not always been the case. In antiquity, yellow was almost sacred, a symbol of light, warmth, and prosperity. It became highly ambivalent in medieval Europe: greenish yellow came to signify demonic sulfur and bile, the color of forgers, lawless knights, Judas, and Lucifer--while warm yellow recalled honey and gold, serving as a sign of pleasure and abundance. In Asia, yellow has generally had a positive meaning. In ancient China, yellow clothing was reserved for the emperor, while in India the color is associated with happiness. Above all, yellow is the color of Buddhism, whose temple doors are marked with it.

"Yellow is perhaps the most difficult of the colors Pastoureau has undertaken so far. Nonetheless, he handles it with the same sure hand and informed historical perspective he did its predecessors (Blue, Green, Red, and Black). . . . Visuals are handsome and accompanied by text that is both scholarly and easily readable, and that addresses subjects ranging from perception, philology, etymology, and dyes and pigments, to the artistic and symbolic use of color from antiquity onward."---R.M. Davis, Choice